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Ginger Reyes
The new Smashing Pumpkin proves her mettle in the modern-rock boot camp
By Melissa Bobbitt
Published: August 29th, 2007 | 3:55pm
It’s 10 p.m., and Ginger Reyes is finally retreating to her Stockholm hotel room after a typically grueling eight-hour boot camp. It’s a routine fraught with unending tests of dexterity, stamina, speed, and teamwork that would break lesser women. But Reyes isn’t aiming to be the next G.I. Jane. She’s a Smashing Pumpkin, and her drill sergeant is the notoriously tough Billy Corgan.
Like a soldier marching into battle, the spry bassist is on a mission to win over the hearts and minds of Pumpkin purists who cried foul when it was revealed that the original members, D’Arcy and James Iha, would not be part of the reunion tour. D’Arcy departed in 1999, before the release of what was to be the final Smashing Pumpkins’ album, Machina/The Machines of God. Former Hole bassist Melissa Auf der Maur filled in during the band’s final year. Iha, who stuck by Corgan and drummer Jimmy Chamberlin’s side until the demise of the band in 2000, has said in a Rolling Stone interview that he hasn’t spoken to Corgan in years. Jeff Schroeder of the Lassie Foundation has since replaced him on guitar.
“The shoes I have to fill are really big, especially with D’Arcy, because she was a role model of mine,” Reyes says. “She was such a cool figure for a woman out there playing. I definitely am honored to be playing, not just in the band, but playing bass in the band after D’Arcy quit or didn’t want to be a part of it.”
Reyes says that ever since her initiation into Corgan’s club in November 2006, there’s been a veil of “crypticism,” as she puts it, blanketing her and Schroeder’s exact involvement in the band, as well as what prompted D’Arcy to leave. It’s a question rabid Pumpkin fans and Reyes are hungry to have answered.
“[Corgan’s] very cryptic in everything,” she says, giggling. “Sometimes I want clear answers, but that’s just not the way it works in this situation. I just don’t think there’s going to be that definite moment where he’s going to be like, ‘You will record on every record! You will be part of the band!’ I think it’s just the way he is.”
One thing is for certain: The Pumpkins’ 2007 album, the ferocious Zeitgeist, is proving its mettle among today’s multi-platinum pop stars and radio-ready faux rockers. Despite a seven-year hiatus, it landed at number two on the Billboard top 200 charts, and the Pumpkins have once again infiltrated the mainstream with appearances on The Late Show with David Letterman and weeklong stands at intimate clubs in Asheville, North Carolina, and San Francisco.
Playing, touring, and recording as a Pumpkin is a dizzying but enthralling experience for Reyes, though, unlike her heroine D’Arcy, she’s not new to the band experience. She has played bass in the bands Halo Friendlies and Lo Ball, and released two perky and pretty solo EPs under the moniker Ginger Sling, a project she’s since sidelined to aid Corgan and Chamberlin.
She’s also no stranger to performing in difficult situations. In her previous bands, she entertained troops abroad, proving that the power of music can heal and transcend partisanship. “I did USO tours to Bosnia and Kosovo. The first time I did that, in 2001, it was pretty much right after 9/11 and I went with Lo Ball. We went with a USO group to different military bases and performed for them,” she says. “The second time I went was about six months after that with the Halo Friendlies, we got to fly in a Blackhawk, which was pretty cool. Whatever your beliefs are with war and everything, it’s just really neat to see people who are dedicated to their countries.”
In 2006, Reyes ventured to Louisiana to help Hurricane Katrina victims and to Kenya to assist Mission to the World, a charity that works with families affected by AIDS. “I’ve always had this desire to help in some way. I’ve always had compassion for Africa and the situations that are occurring there,” she says. “It was touching to see just how much joy the children had, even though they didn’t have anything.”
As a philanthropic army of one, the bassist has scaled the walls of injustice and landed on shaky yet hopeful terrain. As a Pumpkin, Reyes says she’s been counting her blessings and loving every moment, no matter how demanding or cryptic her boss may be. She says it’s helped her grow as a musician, and more so, as a person.
“I am taking in a lot and I’m learning a lot. I’m learning so much musically and about people and myself — just to allow myself to not always criticize or stop the creative process. I see Billy do it all the time. He’s not afraid to start coming up with lyrics on the spot. He’s respecting himself enough to let himself go there, and I think, ‘Wow, I can let myself do that too. I can take myself seriously, basically, and not be so self-critical.’”